By Luc Noppen
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Additional resources for In the National Gallery of Canada "One of the most beautiful chapels in the land"
Same system was used by Filippo Brunelleschi 1436 for the Church of S. in Spirito in In fact, Father Bouillon could have become interested in fan vaulting through the multitude of publications that reproduced the plans of many churches, of between 1800 and conceived for the original design them built I860. 22 in the But there industrial is cities own hand, as indeed are all his But a vault alone does not create a chapel: in Florence. tradition, important was incorporated plan, typical of restrained.
Tradition, important was incorporated plan, typical of restrained. done liturgical furnishings these; it is an works. Roman Catholic complete the space. Because it into a convent, the chapel inherited a rectangular many Somewhat for the of England no doubt that the vault he Ottawa convent did not copy any of from his new Protestant churches, in as the architect Church of Notre Dame which the style is more James O'Donnell had already in Montreal in 1825, Georges Bouillon created an apse in the chapel area by installing neo-Gothic woodwork.
But while it is possible, and indeed probable, that the architectpriest visited these buildings - and assuredly many others with such The stone Cloister in ceiling of St. Stephen's London, today part of the Houses of Parliament at Westminster, built is a beautiful fan vault between 1526 and 1529. This type of vault is the closest to that designed by Georges Bouillon 1 887 Street CHAPTER for the chapel of the Rideau Convent II in in Ottawa. vaults 12 - this is no justification for concluding that a few years later sitting down alone in front of his drawing board and reproducing their shape and structure.